'Frasier' Returns to TV but You Don't Need to Be a Superfan of the Original to Laugh at its Jokes 

This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)
This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)
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'Frasier' Returns to TV but You Don't Need to Be a Superfan of the Original to Laugh at its Jokes 

This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)
This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)

You could say Joe Cristalli tweeted his role as an executive producer and co-showrunner on the new "Frasier" sitcom into existence.

About 10 years ago as a fledgling TV writer and "Frasier" superfan, Cristalli started a Twitter account with "random jokes" about the show and character made famous by Kelsey Grammer in the sitcoms "Cheers" and "Frasier."

"It was stupid and nobody cared about it. I think I had maybe 3,000 followers at its height," he recalled in a recent interview.

At this point, "Frasier" had been off the air for 10 years, but Cristalli used it as "an outlet to practice writing because I was such a superfan and I just loved the style of joke-telling, so I would work on it."

A few years later, Cristalli read that Grammer was interested in reviving the character. He had his agent send a sample script and examples from his "Frasier"-centric Twitter feed to Grammer's team. He was eventually hired alongside "How I Met Your Mother" writer Chris Harris to be co-showrunners of a new "Frasier" series, debuting Oct. 12 on Paramount+.

This "Frasier" stars Grammer in the title role of the high-brow psychiatrist, as he moves back to Boston. His son Freddy is now grown, working as a firefighter, and Frasier realizes he needs to prioritize their relationship (much in the way the character set out to connect with his retired police officer father, played by John Mahoney, in the original). He also begins a new career as a professor at Harvard.

Writing for the character is a fun challenge, said Harris, because "when you think of Frasier Crane speaking, you think of flowery language." Because of time constraints, every line can't be in Frasier-speak. "We save those moments for certain times," said Harris.

They also reference the original series sparingly and smartly — which is an act of restraint that Cristalli said Harris helped him to understand.

"I put in a very specific reference to something in ('Frasier') season four, and I remember Chris very gently saying, 'Do you think maybe we should do jokes that everyone will laugh at?'"

"There are analogies and callbacks to the old show, but we try not to do any of them shamelessly," Cristalli said. "We're not going to just throw a recliner or a Jack Russell in, like we're trying to do them subtly and elegantly. So if you catch them, great, but we're not hanging everything on those jokes. I love (the references) ... but Chris makes a very good point. We want other people to like this show besides me."

The show is a throwback in that it's a multi-cam comedy taped in front of a live audience. Most comedies these days are single-cam and filmed without an audience.

Harris hopes the show is a success and provides a much-needed boost for the multi-cam format.

"I will say that nothing feels as much like showbiz as a tape night," said Harris. "There's a working-without-a-net kind of feeling and you really are putting all your work and all your creativity out there for people to judge. You don't know something works until you get that immediate response, but that immediate response is awesome."

Famed sitcom director James Burrows ("Taxi," "Friends," "Will & Grace"), who worked with Grammer on both "Cheers" and "Frasier," signed on to direct two episodes.

"It's such a comfort because he didn't have to do the show," said Cristalli. "He didn't have to help out. But he read the scripts, he was in the auditioning process, he was pitching jokes and genuinely laughing and enjoying himself. It just made everybody more relaxed because it's a lot of pressure to bring back something this iconic."

Burrows shared his advice to the new actors on "Frasier" (including Jack Cutmore-Scott as Freddy and Anders Keith as David, Frasier's nephew and the son of Niles and Daphne).

"What I tell them is, 'When we rehearse, Kelsey is at 50%. When he's in front of an audience, he's at 100% and you better be on that level otherwise you'll get blown away.' That's what I used to tell guest stars on 'Cheers.' ... 'They're marking time in rehearsal. When they get on a stage and the laughter comes, if you don't play up on their level, you're going to disappear.'"

Cristalli said Grammer slowly morphs into the character.

"In the first rehearsal day, he'll be in like, a T-shirt and shorts and it's like, 'Hold on. That's not. Who's that? That's not Frasier.' The next day he's got, you know, longer pants and the next day it's a blazer. and then all of a sudden it's like, 'Oh, wait a second, I see him now,'" Cristalli said. "There's a very clear distinction between Frasier and Kelsey Grammer, but he slips into those shoes real comfortably and it's very seamless."

For the show's theme, composers and father-son duo Bruce and Jason Miller were brought in to update the original "Tossed Salads & Scrambled Eggs" song. Bruce Miller composed the original "Frasier" theme. Grammer also sings this version.

The composers first did a "hipper" version "that had movement to it, and energy," Bruce Miller said. Grammer listened and suggested the sound reflect how the character is older now, and looking for calmness at this stage in his life. They went back and used a small band, which is the version that viewers will hear.



Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."


‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
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‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)

Robert Duvall, who played the smooth mafia lawyer in "The Godfather" and stole the show with his depiction of a surfing-crazed colonel in "Apocalypse Now," has died at the age of 95, his wife said Monday.

His death Sunday was confirmed by his wife Luciana Duvall.

"Yesterday we said goodbye to my beloved husband, cherished friend, and one of the greatest actors of our time. Bob passed away peacefully at home," she wrote.

Blunt-talking, prolific and glitz-averse, Duvall won an Oscar for best actor and was nominated six other times. Over his six decades-long career, he shone in both lead and supporting roles, and eventually became a director. He kept acting in his 90s.

"To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything," Luciana Duvall said. "His passion for his craft was matched only by his deep love for characters, a great meal, and holding court."

Duvall won his Academy Award in 1983 for playing a washed-up country singer in "Tender Mercies."

But his most memorable characters also included the soft-spoken, loyal mob consigliere Tom Hagen in the first two installments of "The Godfather" and the maniacal Lieutenant Colonel William Kilgore in Francis Ford Coppola's 1979 Vietnam War epic "Apocalypse Now."

"It was an honor to have worked with Robert Duvall," Oscar winner Al Pacino, who acted alongside Duvall in "The Godfather" films, said in a statement.

"He was a born actor as they say, his connection with it, his understanding and his phenomenal gift will always be remembered. I will miss him."

As Colonel Kilgore, Duvall earned an Oscar nomination and became a bona fide star after years playing lesser roles, in a performance where he utters what is now one of cinema's most famous lines.

"I love the smell of napalm in the morning," his war-loving character -- bare chested, cocky and sporting a big black cowboy hat -- muses as low-flying US warplanes bomb a beachfront tree line where he wants to go surfing.

That character was originally created to be even more over the top -- his name was at first supposed to be Colonel Carnage -- but Duvall had it toned down, demonstrating his meticulous approach to acting.

"I did my homework," Duvall told veteran talk show host Larry King in 2015. "I did my research."

Cinema giant Francis Ford Coppola -- who directed Duvall in "Apocalypse Now" and "The Godfather" -- called his loss "a blow."

"Such a great actor and such an essential part of American Zoetrope from its beginning," Coppola said in a statement on Instagram.

- A 'vast career' -

Duvall was sort of a late bloomer in Hollywood -- he was already 31 when he delivered his breakout performance as the mysterious recluse Boo Radley in the 1962 film adaptation of Harper Lee's novel "To Kill a Mockingbird."

He would go on to play myriad roles -- a bullying corporate executive in "Network" (1976), a Marine officer who treats his family like soldiers in "The Great Santini" (1979), and then his star turn in "Tender Mercies."

Duvall often said his favorite role, however, was one he played in a 1989 TV mini-series -- the grizzled, wise-cracking Texas Ranger-turned-cowboy Augustus McCrae in "Lonesome Dove," based on the novel by Larry McMurtry.

British actress Jane Seymour, who worked with Duvall on the 1995 film "The Stars Fell on Henrietta," took to Instagram to share a heartfelt tribute to the star.

"We were able to share in his love of barbecue and even a little tango," Seymour captioned a photo of herself with Duvall. "Those moments off camera were just as memorable as the work itself."

US actor Alec Baldwin made a short video tribute to Duvall, speaking about the star's "vast career."

"When he did 'To Kill A Mockingbird' he just destroyed you with his performance of Boo Radley, he used not a single word of dialogue, not a single word, and he just shatters you," Baldwin said.

Film critic Elaine Mancini once described Duvall as "the most technically proficient, the most versatile, and the most convincing actor on the screen in the United States."


Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
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Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File

Award-winning US songwriter Billy Steinberg, who wrote several top hit songs including Madonna's "Like a Virgin," died Monday at age 75, according to media reports.

Steinberg wrote some of the biggest pop hits of the 1980s and 1990s and was behind songs performed by singers from Whitney Houston and Celine Dion to Madonna and Cyndi Lauper.

He died following a battle with cancer, his attorney told the Los Angeles Times and BBC News.

"Billy Steinberg's life was a testament to the enduring power of a well-written song -- and to the idea that honesty, when set to music, can outlive us all," his family said in a statement to the outlets.

Steinberg was born in 1950 and grew up in Palm Springs, California, where his family had a table grape business. He attended Bard College in New York and soon began his career in songwriting.

He helped write five number one singles on the Billboard Hot 100 list. Among those was "Like a Virgin," co-written with Tom Kelly, which spent six consecutive weeks at the top of the charts.

Steinberg won a Grammy Award in 1997 for his work on Celine Dion's "Falling Into You."

He was inducted into the Songwriters Hall of Fame in 2011.